• The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • Birding in Peace

    Birding in Peace

    Just because it’s winter, doesn’t mean that there aren’t interesting birds to discover in Green-Wood. For some bird species that migrate south after the breeding season, Brooklyn is their Miami during the cold months. Spend the early morning exploring the cemetery, looking for overwintering waterfowl, nuthatches, woodpeckers, sparrows, finches and any half-hardy birds that decided ... Read more

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

  • The Remains of Winter

    The Remains of Winter

    Acclaimed artist Athena LaTocha’s large-scale installation explores the history of Green-Wood’s landscape as one of continuous movement and alteration, beginning with the glaciers that shaped the land in the prehistoric era, through the Rural Cemetery Movement of the nineteenth century.

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Green-Wood’s public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, as well as the New York City Department of Cultural Affairs.