The Angel's Share

Mary Shelly’s groundbreaking novel Frankenstein was published 200 years ago. But far from the grunting Hollywood brutishness of Boris Karloff, the original told the heartbreaking story of a living, feeling creature, brought into the world only to be forsaken by his creator and left to fend for himself in a hostile world. Drawing the parallels to modern society, pianist/composer Gregg Kallor will offer the World Premiere of a new suite of operatic sketches based on the monster’s harrowing tale, in a partnership with On Site Opera. The program will also feature his other acclaimed vocal works, and the premiere of a solo piano piece in tribute to Leonard Bernstein.

Mary Shelly’s groundbreaking novel Frankenstein was published 200 years ago. But far from the grunting Hollywood brutishness of Boris Karloff, the original told the heartbreaking story of a living, feeling creature, brought into the world only to be forsaken by his creator and left to fend for himself in a hostile world. Drawing the parallels to modern society, pianist/composer Gregg Kallor will offer the World Premiere of a new suite of operatic sketches based on the monster’s harrowing tale, in a partnership with On Site Opera. The program will also feature his other acclaimed vocal works, and the premiere of a solo piano piece in tribute to Leonard Bernstein.

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Henry Purcell wrote Dido & Aeneas in 1680, but this tragic meditation on destiny, love, and death resonates just as powerfully today. Director Alek Shrader interweaves excerpts from Christopher Marlowe’s play based on the same story, infusing a sense of agency and dignity back to the character of the wounded queen, and the terrible decision she faces when abandoned by the love of her life. With superstar Daniela Mack as Dido, you won't want to miss her sing the heartrending final aria “When I Am Laid in Earth” (while...in...a...Catacomb!)

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.

Most people wouldn’t equate “historically-informed Baroque chamber music” with “soul-blasting, face-melting hot sauce fire”... at least not until they hear Augusta McKay Lodge. She and her band Voyage Sonique bring a gas torch to the works of a bygone era, burning a path through a series of musical monuments to grief and remembrance.