The Angel's Share
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Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
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Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
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Angel’s Share: mɔɹnɪŋ [morning//mourning]
mɔɹnɪŋ (the phonetic spelling for the word "morning" as well as the word "mourning") is an operatic masterpiece by singer and composer Gelsey Bell, which begins just after humanity has disappeared entirely from the Earth, and traces the weeks, months, years, and millennia that follow. What emerges is a journey through time that is simultaneously whimsical, fantastical, playful and profound, offering a poignant reminder of what it means to be human – despite taking place entirely after our species has vanished from the planet. This specially-adapted production of this critically-acclaimed opera was created just for the Catacombs.
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Cocktails, Comestibles, and Callas
Continuing our tradition of alliterative season opening events—from Burgers, Bourbon, & Beethoven to Hot Dogs, Hooch, & Handel—this year’s Cocktails, Comestibles, & Callas centers around one of opera’s most legendary divas: Maria Callas. Recently portrayed by Angelina Jolie in the Netflix film Maria, we bypass the Hollywood glitz and glam and go straight to the heart of what made La Divina the very definition of “prima donna assoluta—the power, emotion, and wrenching beauty of the human voice.
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Dave Malloy: Ghost Quartet
Award-winning composer Dave Malloy calls his genre-defying Ghost Quartet "a song cycle about love, death, and whiskey," which is basically the entire artistic ethos of the Angel’s Share series! For the show's 10th anniversary, Malloy reunites with co-creators Brent Arnold, Brittain Ashford, and Gelsey Bell (whose opera morning//mourning graced the Catacombs last September).
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Dave Malloy: Ghost Quartet
Award-winning composer Dave Malloy calls his genre-defying Ghost Quartet "a song cycle about love, death, and whiskey," which is basically the entire artistic ethos of the Angel’s Share series! For the show's 10th anniversary, Malloy reunites with co-creators Brent Arnold, Brittain Ashford, and Gelsey Bell (whose opera morning//mourning graced the Catacombs last September).
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Dave Malloy: Ghost Quartet
Award-winning composer Dave Malloy calls his genre-defying Ghost Quartet "a song cycle about love, death, and whiskey," which is basically the entire artistic ethos of the Angel’s Share series! For the show's 10th anniversary, Malloy reunites with co-creators Brent Arnold, Brittain Ashford, and Gelsey Bell (whose opera morning//mourning graced the Catacombs last September).
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Dave Malloy: Ghost Quartet
Award-winning composer Dave Malloy calls his genre-defying Ghost Quartet "a song cycle about love, death, and whiskey," which is basically the entire artistic ethos of the Angel’s Share series! For the show's 10th anniversary, Malloy reunites with co-creators Brent Arnold, Brittain Ashford, and Gelsey Bell (whose opera morning//mourning graced the Catacombs last September).
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(SOLD OUT) Beethoven: String Quartet Op. 131
We return to the Catacombs for another exploration of Beethoven’s late string quartets. We invite you to join us for an unforgettable event as the Ariel Quartet performs String Quartet No. 14 in C-sharp minor, Op. 131. Opening with what Richard Wagner described as “surely the saddest sentiment ever expressed in music,” this seven-movement masterpiece is played without pause, creating an expansive, kaleidoscopic musical journey through faith, fear, madness, wonder, and more.
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(SOLD OUT) Beethoven: String Quartet Op. 131
We return to the Catacombs for another exploration of Beethoven’s late string quartets. We invite you to join us for an unforgettable event as the Ariel Quartet performs String Quartet No. 14 in C-sharp minor, Op. 131. Opening with what Richard Wagner described as “surely the saddest sentiment ever expressed in music,” this seven-movement masterpiece is played without pause, creating an expansive, kaleidoscopic musical journey through faith, fear, madness, wonder, and more.
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Green-Wood’s public programs are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, as well as the New York City Department of Cultural Affairs.